The next SPECTRA files novel is off to the publisher for edits and currently slated for an October release. Stay tuned…
Every year, editor Amy Eye goes through her contact list and assembles a group of authors and artists spanning a wide range of genres to contribute Christmas themed content to the anthology series Christmas Lites. ALL of the proceeds from the book go to benefit the National Coalition Against Domestic Violence.
Christmas Lites V is out now, and I’m very excited about my contribution. “The Krampus Tree” is a horror Christmas poem illustrated by Jeff Miller. It’s a wicked little thing done up in children’s book style. As I said when I read it on Halloween at the Lovecraft Arts and Sciences Council: imagine Dr. Seuss meets Arthur Machen.
The book also contains a new story by J.G. Faherty for the horror fans out there, and a great range of holiday stories to get you into the spirit of the season, whatever mood you’re in. The ebook version features Jeff’s illustrations of the poem in full color (if your e-reader device has a color screen). The paperback is black and white. Both are available now.
Please pick up a copy today. It’s for a great cause, and it’s the only place you’ll find “The Krampus Tree” this holiday season.
On Halloween night, I’ll be reading with Matthew Bartlett and Jonathan Thomas at the Lovecraft Arts & Sciences Council bookshop in Providence, RI. Event starts at 6PM. Should be a scary good time, and I might even read something brand new.
Happy October! It’s my favorite time of year and I’ll be kicking it off with a bang at the Merrimack Valley Halloween Book Festival tomorrow, October 3rd, where you can find me selling and signing books all day alongside some other local writers named Joe Hill, Paul Tremblay, Christopher Golden, Kelly Link…well, check out the list below. The event is free and open to the public. Hope to see you there.
Wow, it’s August already? Summer is flying by and I’ve had a great time teaching my son how to swim this year, but August means two things for this writer:
1. I’d better wrap up the last of the short stories I owe editors and get cranking on the sequel to Red Equinox.
2. It’s almost time for NecronomiCon Providence!
Always a great convention, this year promises to be something extra special as it coincides with H.P. Lovecraft’s 125th birthday. Here’s a summary of what to expect, from the official press release:
NecronomiCon Providence is a celebration of weird fiction and its roots in the city of Providence. It is a four-day convention that features panels and talks by experts, authors, artists, and historians who are influenced by the life and works of H.P. Lovecraft. It also includes Lovecraft-themed gaming, creative workshops, art exhibits, films, concerts, walking tours, and special events.
Sound cool? It is. And there are still some tickets available.
I’ll be joining in the conversation on several panels throughout the weekend. You can also find me in between panels signing and selling copies of Red Equinox at the Lovecraft eZine table in the vendor’s hall, which is open to the public.
Talking about the nuts and bolts of fiction writing is all well and good (you can catch me doing just that in this recent interview with the Los Angeles Examiner) but when you write weird books, talking about weird shit once in a while is even more fun, and boy do I get to do that at NecronomiCon.
Here’s my schedule:
Friday – 2:30-3:45pm
AH-CULT! MAGICK IN ELDRITCH AND PRACTICE – Waterplace Ballroom, Omni Hotel 2nd Floor
“Magic” is a large part of Lovecraft’s writings even if it is not meant to be magic in the traditional sense. How did Lovecraft use the concepts of magic in his fiction? How close is it to ritual traditions? Is there a connection?
Panelists: Richard Gavin, Scott R. Jones, Justin Woodman, Douglas Wynne
Moderator: Anthony Teth
Friday – 5:30-6:45pm
INSANITY IS A SANE REACTION – Narragansett Ballroom, Omni Hotel 1st Floor
Insanity, or the seemingly inevitable path toward it, seems to be a common pattern in Lovecraft’s stories. How (and why) did Lovecraft employ this common theme, and what might this say about his own psychology? And, why does his writing appeal so much to society’s “outsiders”? This panel explores the aspects of Lovecraft’s fiction that set it, and us, apart.
Panelists: Joseph Zannella, Kenneth Heard, Shane Ivey, Damien Angelica Walters, Douglas Wynne
Moderator: Jack Haringa
Saturday – 1-2:15pm
FORBIDDEN KNOWLEDGE – Waterplace Ballroom, Omni Hotel 2nd Floor
We all know the scene: investigator finds ancient book of forbidden knowledge that unleashes evil and terror upon the world. Lovecraft created the most sinister of them all with the NECRONOMICON but there are many more as well. Enough to equip a library of ‘forbidden knowledge’. Do you know who created “Nameless Cults”? Or ‘The Book of Eibon’? Join us for a bibliophile’s delight, or NIGHTMARE, as we chart the best and worst of these forbidden tomes.
Panelists: Robert M. Price, Sean Hoade, Douglas Wynne
Moderator: Pete Rawlik
Sunday – 10:30-11:45am
ON LOVECRAFT AND PHILOSOPHY – Garden Room, Biltmore 2nd Floor
Just what is “cosmicism” and where does it fit into the philosophical realm? For all of his professed loathing of modernists, Lovecraft used his fiction to push some radically modern (if not post-modern) ideas. Panelists will attempt to tackle the “pessimism”–this is hardly an appropriate word–of Lovecraft’s cosmic horror, as well as place it within the greater context of the evolution of 20th-century thought.
Panelists: Michael Cisco, Andrew Migliore, Mike Davis, Sean Hoade, Douglas Wynne
Moderator: Alex Houstoun
Here’s the official site with the full schedule and more info. I hope to see some of you there!
I recently finished and sent off my latest short story. “Rattled” is a twisted coming-of-age tale set to appear in what’s shaping up to be a fantastic anthology alongside a full roster of writers I greatly admire. I can’t tell you how excited I am to be a part of this project. The cover art was revealed over the weekend, and the book is currently slated for a December release in both paperback and hardcover.
Here’s more info from JournalStone:
The Gods of H.P. Lovecraft: a brand new anthology that collects the twelve principal deities of the Lovecraftian Mythos and sets them loose within its pages. Featuring the biggest names in horror and dark fantasy, including many NY Times bestsellers, full of original fiction and artwork, and individual commentary on each of the deities by Donald Tyson.
About the book: Lovecraft’s bestiary of gods has had a major influence on the horror scene from the time these sacred names were first evoked. Cthulhu, Azathoth, Nyarlathotep, Yog-Sothoth—this pantheon of the horrific calls to mind the very worst of cosmic nightmares and the very darkest signs of human nature. The Gods of H.P. Lovecraft brings together twelve all-new Mythos tales from:
Cthulhu (Adam Nevill) – Yog-Sothoth (Martha Wells) – Azathoth (Laird Barron) – Nyarlathotep (Bentley Little) – Shub-Niggurath (David Liss) – Tsathoggua (Brett Talley) – The Mi-Go (Christopher Golden & James A. Moore) – Night-gaunts (Jonathan Maberry) – Elder Things (Joe Lansdale) – Great Race (Rachel Caine) – Yig (Douglas Wynne) – The Deep Ones (Seanan McGuire)
I was seven years old when I saw the first Star Wars movie and discovered that I wanted a lightsaber, the quintessential high-tech phallic symbol and power object of my generation. Later, when I was the quintessential slacker, I would study the lightsaber in great detail — getting to know the particulars of each prop hilt used in the films and the differences between them before I finally got around to channeling my geek creativity into writing books and indoctrinating my son into the galactic mythology of his people. I even collected a few replica lightsaber props along the way and eventually my interest in sword-like objects led me to study Iaido, the Japanese martial art of the samurai sword (cultural prototype of the Jedi weapon). Today my favorite lightsaber shares a stand with my katanas on the bookshelf beside my writing desk, collecting dust.
But now that I’ve seen the second teaser trailer for The Force Awakens, my interest in Star Wars has reawakened, and I’m giddy to see that they seem to have got the details right this time out.
There was a minor uproar after the first teaser trailer went online (bitch all you want about the so-called “cross-guard” saber in the hands of that villain—I personally think it represents a crude attempt to reclaim a lost craft with the side emissions serving as vents to balance an unrefined energy level) but the new trailer should give fans new hope for the film, and once again it’s a lightsaber sending the signal.
The original iconic prop from 1977 was an antique Graflex camera flash with the bulb and reflector removed and some rubber grips glued to the handle. The prop makers attached vintage calculator display bubbles to the clamp to resemble an exotic power switch and a belt-clip ring on the bottom. A quirky, yet elegant piece of gear that felt (like all Star Wars artifacts at the time) endowed with complexity, history, and functionality.
When the weapon reprised in The Empire Strikes Back, it had undergone a few changes: the calculator bubbles had been replaced with a circuit board and the grips were now studded with rivets, but it was still a 3-cell Graflex flashgun and for the fans who noticed the differences at all, it was easy to imagine that Luke had made a few upgrades or repairs.
Fans catalogued the variations, and for many years antique camera buffs hated us for driving up the auction prices on what should have been relatively affordable accessories. But hey, if Luke’s lightsaber wasn’t our holy grail, it was our Excalibur.
On screen, the saber was lost when Vader cut Luke’s hand off, and we didn’t see it again until it was shiny and new and hanging from Anakin’s belt in Revenge of the Sith.
Things got ugly for lightsaber geeks in the prequels. Now the hilts had big red buttons, as if a Jedi couldn’t find his dick without a neon sign. And George Lucas threw all regard for continuity out the window. I can point to at least two scenes in two films in which editing results in a character inexplicably holding the wrong lightsaber. But worst of all, the weapon that would pass from Anakin to Luke via Obi-wan, the object that should have been the key symbol uniting the two trilogies, was not a prop from the Lucasfilm archive but a new chrome and gold plated, machined hunk of metal in the shape of a Graflex with details suggestive of the hilt that Obi-wan hands Luke in A New Hope.
Plenty of filmmakers can let details slide, safe in the knowledge that the audience won’t notice, but Lucas let this stuff slide knowing that millions of toys were going to replicate the details and put them in people’s hands!
Now we see that saber again in the second Episode VII trailer and learn that it will once again be a symbol uniting the trilogies. As it should be, because it is the Excalibur of the Star Wars mythology. And, while we only get a glimpse in low light, it sure looks like they’re using a Graflex handle with rivets in the grips, just like the one Luke lost with his hand at Cloud City.
To me, that’s a signal that the filmmakers are geeks who grew up with a passion for the story and that they care about getting the details right. It also indicates that we are to some degree returning to the aesthetics of The Empire Strikes Back, the crowning achievement of the series. To quote Han Solo, “Chewie, we’re home.”